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Athanor
| Title: | Athanor. |
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| Name(s): | Florida State University. Art History Students' Organization, Sponsor | |
| Type of Resource: | text | |
| Genre: | Periodicals | |
| Issuance: | serial | |
| Date Issued: | 1996 | |
| Publisher: | Florida State University | |
| Place of Publication: | Tallahassee, Fla. | |
| Extent: | 57 pages | |
| Language(s): | English | |
| Summary: | Leonardo da Vinci’s Non-Reductive Method: Representing Chaos by Matt Landrus / Bramante, Michelangelo and Giacomo Della Porta: The Meaning of the Dome by Steve B. Choate / Ruben’s Deianira and the Fury: A New Interpretation Based on Seneca’s Hercules Oetaeus by Barbara J. Johnston / Northern Baroque Ship Decoration: Politics and Iconography by James E. Bryan / Charles Le Brun’s Penitent Magdalen Reexamined by Carolyn M. Allmendinger / Andrea Pozzo’s Old Testament Heroes in the Jesuit Church of Sant’ Ignazio, Rome by Sean Stephenson | |
| Identifier: | FSU_ARCH_N1A92_XIV (IID) | |
| Subject(s): |
Arts Student publications |
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| Persistent Link to This Record: | http://purl.flvc.org/fsu/fd/FSU_ARCH_N1A92_XIV | |
| Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
| Use and Reproduction: | Use of this item is provided for non-commercial, personal, educational, and research use only. Florida State University Libraries is providing access to these materials for educational and research purposes and makes no warranty with regard to their use for other purposes. The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions (see Title 17, U.S.C.). For information about the copyright and reproduction rights for this item, please contact Heritage & University Archives, http://heritage.fsu.edu/ | |
| Host Institution: | FSU | |
| Is Part Of: | Heritage & University Archives, Florida State University Libraries, Tallahassee, Florida |
