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Athanor
- Date Issued:
- 2006
- Summary:
- Wicked Wives: The Animate Vulva, Social Satire, and Fear of a Female Pilgrim by Jennifer Naumann / Portrait of the Artist as Michelangelo: Maarten van Heemskerck’s Self-Portrait with the Colosseum by Michael P. Kemling / Guaman Poma’s Illustrated Khipus: Signs of Literacy, Emblems of Colonial Semiosis by Lauren Grace Kilroy / Visualizing and Textualizing Algeria: Description and Prescription as a Strategy for Redefinition by Stassa B. Edwards / Dancing in the Street: George Luk’s Spielers by Ellery Foutch / The Memorial to Peter: A Social Investigation within the Politics of German Memory and the Great War by Karen Shelby / The Coloring of Jazz: Race and Record Cover Design in American Jazz, 1950 to 1970 by Carissa Kowalski Dougherty / Satire in subREAL and the Prevalent Monolithic Western View in the Beyond Belief and After the Wall Exhibitions by Izabel Anca Galliera / Puppetry of the Penis: A Deconstruction of the Phallus as Weapon by Claire L. Kovacs / Between the Graphic and Tectonic: Architecture, Mapping and Topography in Rimer Cardillo’s Works by Viktoria Villanyi
Title: | Athanor. |
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Name(s): | Florida State University. Art History Students' Organization, Sponsor | |
Type of Resource: | text | |
Genre: | Periodicals | |
Issuance: | serial | |
Date Issued: | 2006 | |
Publisher: | Florida State University | |
Place of Publication: | Tallahassee, Fla. | |
Extent: | 78 pages | |
Language(s): | English | |
Summary: | Wicked Wives: The Animate Vulva, Social Satire, and Fear of a Female Pilgrim by Jennifer Naumann / Portrait of the Artist as Michelangelo: Maarten van Heemskerck’s Self-Portrait with the Colosseum by Michael P. Kemling / Guaman Poma’s Illustrated Khipus: Signs of Literacy, Emblems of Colonial Semiosis by Lauren Grace Kilroy / Visualizing and Textualizing Algeria: Description and Prescription as a Strategy for Redefinition by Stassa B. Edwards / Dancing in the Street: George Luk’s Spielers by Ellery Foutch / The Memorial to Peter: A Social Investigation within the Politics of German Memory and the Great War by Karen Shelby / The Coloring of Jazz: Race and Record Cover Design in American Jazz, 1950 to 1970 by Carissa Kowalski Dougherty / Satire in subREAL and the Prevalent Monolithic Western View in the Beyond Belief and After the Wall Exhibitions by Izabel Anca Galliera / Puppetry of the Penis: A Deconstruction of the Phallus as Weapon by Claire L. Kovacs / Between the Graphic and Tectonic: Architecture, Mapping and Topography in Rimer Cardillo’s Works by Viktoria Villanyi | |
Identifier: | FSU_ARCH_N1A92_XXIV (IID) | |
Subject(s): |
Arts Student publications |
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Persistent Link to This Record: | http://purl.flvc.org/fsu/fd/FSU_ARCH_N1A92_XXIV | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
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Host Institution: | FSU | |
Is Part Of: | Heritage & University Archives, Florida State University Libraries, Tallahassee, Florida |