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Date Issued:
2005
Summary:
The Art of Divination in Indigenous America—A Comparison of Ancient Mexican and Modern Kuna Pictography by Alessia Frassani / Classical Chastity and Chivalric Tradition: Pisanello’s Portrait Medal of Cecilia Gonzaga by Tanja L. Jones / Knot(s) Made by Human Hands: Copying, Invention, and Intellect in the Work of Leonardo da Vinci and Albrecht Dürer by Eileen Costello / Caravaggio’s Capitoline Saint John: An Emblematic Image of Divine Love by Shannon Pritchard / “Virtue must be hir chiefest garnish”—Rules for Painting an Early Stuart Lady as Evidenced by Larkin’s Mary Curzon by Jennifer L. Hallam / Invention and the Court Copyist: David Teniers the Younger and Gallery Paintings by Andrea Keppers / Luisa Roldán’s Terracottas: Result of Failure or Strategy for Success? by Casey Gardonio-Foat / Picturing American Femininity: Addressing the Body of Alfred Stieglitz’s Portrait of Georgia O’Keeffe by Sandra Zalman / Identity and the Artist: Soviet and Post-Soviet Sots by Kristen Williams Backer / You Make Me Feel Like a Natural Transgendered Person: Contemporary Photography and the Construction of Queer(ed) Identities by Stefanie Snider / Misremembering Racial Histories: The Role of the Viewer in Kara Walker’s The Emancipation Approximation by Nathan J. Timpano
Title: Athanor.
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Name(s): Florida State University. Art History Students' Organization, Sponsor
Type of Resource: text
Genre: Periodicals
Issuance: serial
Date Issued: 2005
Publisher: Florida State University
Place of Publication: Tallahassee, Fla.
Extent: 98 pages
Language(s): English
Summary: The Art of Divination in Indigenous America—A Comparison of Ancient Mexican and Modern Kuna Pictography by Alessia Frassani / Classical Chastity and Chivalric Tradition: Pisanello’s Portrait Medal of Cecilia Gonzaga by Tanja L. Jones / Knot(s) Made by Human Hands: Copying, Invention, and Intellect in the Work of Leonardo da Vinci and Albrecht Dürer by Eileen Costello / Caravaggio’s Capitoline Saint John: An Emblematic Image of Divine Love by Shannon Pritchard / “Virtue must be hir chiefest garnish”—Rules for Painting an Early Stuart Lady as Evidenced by Larkin’s Mary Curzon by Jennifer L. Hallam / Invention and the Court Copyist: David Teniers the Younger and Gallery Paintings by Andrea Keppers / Luisa Roldán’s Terracottas: Result of Failure or Strategy for Success? by Casey Gardonio-Foat / Picturing American Femininity: Addressing the Body of Alfred Stieglitz’s Portrait of Georgia O’Keeffe by Sandra Zalman / Identity and the Artist: Soviet and Post-Soviet Sots by Kristen Williams Backer / You Make Me Feel Like a Natural Transgendered Person: Contemporary Photography and the Construction of Queer(ed) Identities by Stefanie Snider / Misremembering Racial Histories: The Role of the Viewer in Kara Walker’s The Emancipation Approximation by Nathan J. Timpano
Identifier: FSU_ARCH_N1A92_XXIII (IID)
Subject(s): Arts
Student publications
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Host Institution: FSU
Is Part Of: Heritage & University Archives, Florida State University Libraries, Tallahassee, Florida

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