Current Search: Spanish (x)
Pages
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Title
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ALEJO CARPENTIER: A STUDY OF "LOS PASOS PERDIDOS" (SPANISH TEXT) (CUBA).
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Creator
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ORTIZ, NORA MIJARES., The Florida State University
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Date Issued
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1978, 1978
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Identifier
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AAI7822201, 2988959, FSDT2988959, fsu:73466
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Format
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Document (PDF)
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Title
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El Arcipreste de Talavera: una contribucion a su estudio paremio -- lexicografico.
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Creator
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Araluce Cuenca, Jose Ramon
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Date Issued
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1969
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Identifier
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AAI7008550, 2986046, FSDT2986046, fsu:70555
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Format
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Document (PDF)
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Title
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Armstrong-Poventud House Museum, Ponce, Puerto Rico: Ceiling.
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Creator
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Víctor Domenech, Manuel
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Identifier
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FSU_Caribes_PR_003_005
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Format
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Image (JPEG)
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Title
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Armstrong-Poventud House Museum, Ponce, Puerto Rico: Façade.
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Creator
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Víctor Domenech, Manuel
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Identifier
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FSU_Caribes_PR_003_004
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Format
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Image (JPEG)
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Title
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Armstrong-Poventud House Museum, Ponce, Puerto Rico: Façade, View from the cathedral.
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Creator
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Víctor Domenech, Manuel
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Identifier
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FSU_Caribes_PR_003_006
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Format
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Image (JPEG)
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Title
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Artículos Escritos por la Industria o Mayoritariamente por la Industria (Ghostwriting) y Firmados por Académicos.
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Creator
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Lacasse, Jeffrey R., Leo, Jonathan
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Date Issued
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2010
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Identifier
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FSU_migr_csw_faculty_publications-0044
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Format
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Citation
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Title
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Bright Yellow Casa (two story house), San Juan, Puerto Rico: Façade.
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Identifier
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FSU_Caribes_PR_004_019
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Format
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Image (JPEG)
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Title
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Broadside Edict of Excommunication, August 27, 1698.
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Abstract/Description
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Against nun Dona Ines Coban, who brought suit against the goods of D. Gregorio de Ayala y Albudillo as creditors. Printed and manuscript text.
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Identifier
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FSU_MSS_0202_B001_I001
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Format
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Set of related objects
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Title
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The Cathedral of Our Lady of Guadalupe, Ponce, Puerto Rico: Chapel Vaulting.
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Creator
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Porrata Doria, Francisco
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Identifier
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FSU_Caribes_PR_003_010
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Format
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Image (JPEG)
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Title
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The Cathedral of Our Lady of Guadalupe, Ponce, Puerto Rico: Façade.
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Creator
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Porrata Doria, Francisco
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Identifier
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FSU_Caribes_PR_003_007
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Format
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Image (JPEG)
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Title
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The Cathedral of Our Lady of Guadalupe, Ponce, Puerto Rico: Side Altar.
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Creator
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Porrata Doria, Francisco
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Identifier
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FSU_Caribes_PR_003_008
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Format
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Image (JPEG)
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Title
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The Cathedral of Our Lady of Guadalupe, Ponce, Puerto Rico: Side Altar (Close Up).
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Creator
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Porrata Doria, Francisco
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Identifier
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FSU_Caribes_PR_003_009
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Format
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Image (JPEG)
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Title
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The Cathedral of Santa Maria la Menor, Santo Domingo, Dominican Republic: Base of the Cathedral Bell Tower.
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Creator
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Julius II, Rodriguez, Alonso
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Identifier
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FSU_Caribes_DR_002_001
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Format
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Image (JPEG)
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Title
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The Cathedral of Santa Maria la Menor, Santo Domingo, Dominican Republic: Main façade.
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Creator
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Julius II, Rodriguez, Alonso
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Identifier
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FSU_Caribes_DR_002_002
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Format
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Image (JPEG)
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Title
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The Cathedral of Santa Maria la Menor, Santo Domingo, Dominican Republic: Nave Vaulting.
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Creator
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Julius II, Rodriguez, Alonso
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Identifier
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FSU_Caribes_DR_002_003
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Format
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Image (JPEG)
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Title
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The Cathedral of the Virgin Mary of the Immaculate Conception, Havana, Cuba: Façade.
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Identifier
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FSU_Caribes_Cuba_001_001
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Format
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Image (JPEG)
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Title
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The Cathedral of the Virgin Mary of the Immaculate Conception, Havana, Cuba: Octagonal crossing vault.
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Identifier
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FSU_Caribes_Cuba_001_003
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Format
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Image (JPEG)
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Title
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The Cathedral of the Virgin Mary of the Immaculate Conception, Havana, Cuba: Vault over high altar.
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Identifier
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FSU_Caribes_Cuba_001_002
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Format
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Image (JPEG)
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Title
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Clippings and articles about Norman Baker.
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Creator
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Hoffer, Thomas W.
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Abstract/Description
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Compiled newspaper and magazine clippings about Norman Baker and his pseudo-medicine practices.
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Date Issued
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1930, 1949
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Identifier
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FSU_MSS_2008-024_B334_F013
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Format
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Document (PDF)
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Title
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Conciencia y revalorizacion neo-feminista de la cuentistica de Carmen Lugo Filippi y Ana Lydia Vega.
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Creator
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Gonzalez, Hernandez, Miriam M., Florida State University
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Abstract/Description
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The first two chapters of this dissertation present the evolution of the feminist movement and the evolution of the Puerto Rican female short story, from the later part of the XIX century to the decade of the eighties. During those years, short stories written by women received little recognition in and out of the Island. In regards to the female characters, they were introduced performing traditional roles that subordinated and subjugated them to the male figures., Starting during the decade...
Show moreThe first two chapters of this dissertation present the evolution of the feminist movement and the evolution of the Puerto Rican female short story, from the later part of the XIX century to the decade of the eighties. During those years, short stories written by women received little recognition in and out of the Island. In regards to the female characters, they were introduced performing traditional roles that subordinated and subjugated them to the male figures., Starting during the decade of the seventies, and as a result of the neo-feminist movement, a group of female writers took over themes that had been the exclusive domain of men. These female writers restated the social, political, economical, and cultural realities of Puerto Rico and the Caribbean. These writers are: Rosario Ferre, Magali Garcia Ramis, Mayra Montero, Olga Nolla, Carmen Lugo Filippi and Ana Lydia Vega., Starting with the third chapter Ellen Morgan's critical study "Humanbecoming: Form and Focus in the Neo-Feminist Novel," (185-205) was used in the analysis of Carmen Lugo Filippi and Ana Lydia Vega's short stories compiled in the following books: Virgenes y martires, Encancaranublado y otros cuentos de naufragio, Pasion de historia y otras historias de pasion, Falsas cronicas del sur, Apalabramiento: diez cuentistas puertorriquenos de hoy and the journal Cariban., This neo-feminist study reveals that Carmen Lugo Filippi and Ana Lydia Vega as well as their female characters rebel to the Puerto Rican male dominated culture. Furthermore, they managed to defeat the stereotypes and taboos that for decades had subordinated and subjugated Puerto Rican women. These two writers created a new self-directed woman, one who knows what she wants, how to make decisions, and has control of her own life.
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Date Issued
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1994, 1994
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Identifier
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AAI9434108, 3088400, FSDT3088400, fsu:77205
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Format
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Document (PDF)
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Title
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Construción grammatical de los hymnos que contiente el Brevario Romano: dividos en cinco libros, es à saber, comun de el tiempo los de Christo Señor Nuestro, de Maria Santissima, y los demas que se citan en el indice.
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Abstract/Description
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Commentary of the hymns of the Roman Breviary.
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Date Issued
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1794
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Identifier
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893681671, FSU_BX2000C661794, fsu:755970
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Format
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E-book
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Title
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Cómo acabó la dominación de Espanã en América.
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Creator
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Piñeyro, Enrique
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Date Issued
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[1908], 1908
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Identifier
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FSUCaribBooks_00008, 13001643 //r, fsu:55032
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Format
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E-book
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Title
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Crónica de la guerra de Cuba (1895), v. 1.
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Creator
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Guerrero, Rafael.
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Date Issued
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1895-97, 1895, 1897
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Identifier
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FSUCaribBooks_00016, 03025496, fsu:62708
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Format
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E-book
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Title
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Crónica de la guerra de Cuba (1895), v. 2.
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Creator
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Guerrero, Rafael.
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Date Issued
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1895-97, 1895, 1897
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Identifier
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FSUCaribBooks_00017, 03025496, fsu:63352
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Format
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E-book
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Title
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The Cultural Center of the City of Ponce, Ponce, Puerto Rico: Ante-sala (antechamber or secondary sala).
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Creator
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Bertoli Calderoni, Juan
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Identifier
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FSU_Caribes_PR_003_003
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Format
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Image (JPEG)
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Title
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The Cultural Center of the City of Ponce, Ponce, Puerto Rico: Balcon (Balcony).
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Creator
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Bertoli Calderoni, Juan
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Identifier
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FSU_Caribes_PR_003_002
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Format
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Image (JPEG)
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Title
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The Cultural Center of the City of Ponce, Ponce, Puerto Rico: Façade.
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Creator
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Bertoli Calderoni, Juan
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Identifier
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FSU_Caribes_PR_003_001
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Format
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Image (JPEG)
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Title
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Develando Memorias Olvidadas: El Ensayo Feminista Caribeño Durante el Siglo XIX y Principios del XX.
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Creator
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Collazo, Ivelisse, Poey, Delia, Suárez, Virgil, Fernández, Roberto G., Cappuccio, Brenda, Department of Modern Languages and Linguistics, Florida State University
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Abstract/Description
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Este trabajo de investigación presenta un rescate de seis escritoras caribeñas, del siglo XIX Gertrudis Gómez de Avellaneda, "La mujer" y "Luisa Molina," Salomé Ureña de Henrìquez, "Palabras" y "Palabras," y Lola Rodrìguez de Tió, "La influencia de la mujer en la civilización" y "La educación de la mujer," y principios del XX Dulce Marìa Borrero de Luján, "El magisterio y el porvenir de Cuba" y "La fiesta intelectual de la mujer. Su actual significado; su misión ulterior," Camila Henrìquez...
Show moreEste trabajo de investigación presenta un rescate de seis escritoras caribeñas, del siglo XIX Gertrudis Gómez de Avellaneda, "La mujer" y "Luisa Molina," Salomé Ureña de Henrìquez, "Palabras" y "Palabras," y Lola Rodrìguez de Tió, "La influencia de la mujer en la civilización" y "La educación de la mujer," y principios del XX Dulce Marìa Borrero de Luján, "El magisterio y el porvenir de Cuba" y "La fiesta intelectual de la mujer. Su actual significado; su misión ulterior," Camila Henrìquez Ureña, "Feminismo" y "La mujer y la cultura," y Luisa Capetillo, "La mujer en la época primitiva" y "La mujer en el hogar, en la familia, en el gobierno." Ellas utilizan el ensayo como una denuncia social tanto de su realidad histórica como sociopolìtica. Por medio del ensayo las escritoras se apropian del formato del discurso masculino para promover sus ideas e incorporar sus formas de pensar, de ver el mundo y la vida que les delimita. De esta forma, el ensayo les permite examinar el espacio doméstico, en relación a los roles (papeles) fijados al género por la sociedad, y con ello debatir el mundo y la vida. Por tanto, es preciso evaluar el propósito de éstas al utilizar un género literario cuya producción fue mayormente masculina. En suma, el objetivo de este trabajo de investigación es investigar, interpretar y reflexionar a través de una metodologìa feminista sobre la presencia, contribución y experiencias de las mujeres en los espacios de la polìtica y la educación, dentro del contexto histórico de los siglos XIX y principios del XX en el Caribe.
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Date Issued
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2010
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Identifier
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FSU_migr_etd-3563
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Format
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Thesis
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Title
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Documentos hist´oricos de la Florida y la Luisiana, siglos XVI al XVIII.
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Creator
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Serrano y Sanz, Manuel
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Date Issued
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1912
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Identifier
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13024823, AAA5181QF00010/28/200204/15/200515753BfamI D0QF, 01193613, FS66750118, 2644311, fsu:86832
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Format
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E-book
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Title
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El Budismo Zen, el Yin Yang y la Ecología en la Obra de Alberto Blanco Por.
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Creator
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Robinson, Irma Chávez, Poey, Delia, Suarez, Virgil, Arias, Santa, Cappuccio, Brenda, Department of Modern Languages and Linguistics, Florida State University
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Abstract/Description
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Esta disertación analiza los temas del budismo zen, el yin-yang y la ecologÃa en la obra completa del poeta mexicano Alberto Blanco (1951) para comprobar que todo en el cosmos está conectado y forma parte de un Gran Ser y a la vez que este Ser forma parte de algo más grandioso. A Blanco se le ha estudiado desde una perspectiva visual y poética, se le ha incluido en la 'Generación del desengaño' por su innovativo uso del lenguaje pero nunca antes se ha hecho una investigación desde la...
Show moreEsta disertación analiza los temas del budismo zen, el yin-yang y la ecologÃa en la obra completa del poeta mexicano Alberto Blanco (1951) para comprobar que todo en el cosmos está conectado y forma parte de un Gran Ser y a la vez que este Ser forma parte de algo más grandioso. A Blanco se le ha estudiado desde una perspectiva visual y poética, se le ha incluido en la 'Generación del desengaño' por su innovativo uso del lenguaje pero nunca antes se ha hecho una investigación desde la influencia oriental y ecológica. En este trabajo se examina la obra poética de Blanco según las siete caracterÃsticas del budismo zen como lo son la asimetrÃa, la simplicidad, la sublimidad, la naturalidad, la delicadeza, la libertad de ataduras y la tranquilidad. También se hace un estudio desde el punto de vista ecológico puesto que Blanco expone en su obra poética la preocupación por el maltrato, la humillación y la irresponsabilidad de los seres humanos hacia la naturaleza. Y por último se estudia la obra del poeta desde la filosofÃa china del yin-yang donde todo lo existente tiene una dualidad, pero Blanco demuestra todo lo contrario al unir las dos fuerzas y asà formar la unidad y decir que sin luz no hay oscuridad o sin la vida no existirÃa la muerte. Esta investigación ayuda a entender más sobre el equilibrio de todo lo visible y lo invisible y para decir que Blanco pertenece a un nuevo movimiento o escuela: la generación del espacio del vacÃo o de la nada. Este estudio es importante porque se ve la heterogeneidad de oriente y occidente y a la vez se considera la vida de una manera homogénea.
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Date Issued
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2004
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Identifier
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FSU_migr_etd-1807
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Format
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Thesis
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Title
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El costumbrismo en la novela Cubana del siglo XIX.
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Creator
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Campa, Pedro
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Identifier
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157543, FSDT157543, fsu:17473
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Format
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Document (PDF)
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Title
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El epicismo de "La guerra del fin del mundo". [Spanish text] (Peru, Mario Vargas Llosa).
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Creator
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Adair, Olga Mory., Florida State University
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Abstract/Description
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El proposito de este estudio es de senalar el tono epicista de La querra del fin del mundo de Mario Vargas Llosa. Dentro de las caracteristicas de la epica se senalan unidad de accion, in medias res, y episodio. Estas tres caracteristicas son estudiadas desde el punto de vista de Aristoteles por ser uno de los primeros en sentar las reglas del genero epico en su obra Poetica., Algunas estrategias y tecnicas narrativas empleadas por Vargas Llosa en esta novela, como los vasos comunicantes, las...
Show moreEl proposito de este estudio es de senalar el tono epicista de La querra del fin del mundo de Mario Vargas Llosa. Dentro de las caracteristicas de la epica se senalan unidad de accion, in medias res, y episodio. Estas tres caracteristicas son estudiadas desde el punto de vista de Aristoteles por ser uno de los primeros en sentar las reglas del genero epico en su obra Poetica., Algunas estrategias y tecnicas narrativas empleadas por Vargas Llosa en esta novela, como los vasos comunicantes, las cajas chinas, y la muda o salto cualitativo se demuestra que tienen sus origenes en las obras clasicas de la epica., Otros aspectos de la epica, como el honor, los heroes, y un tema poco tratado por la critica literaria, los anti-heroes, se revisan en este estudio. Tambien se incluyen algunos topicos paganos y cristianos que comprenden las supersticiones y la religion catolica practicada por el Consejero y los campesinos que lo siguen por los sertones, asi como las descripciones de algunos ritos y ceremonias que recuerdan las practicas antiguas del cristianismo y de la Edad Media., Para apoyar el tono epicista existente en La guerra del fin del mundo, se comparan, a lo largo de este estudio, con La Iliada y La Odisea de Homero, y La Eneida de Virgilio presentando diversos ejemplos de estas obras., Finalmente se delinea un tema resaltante en esta novela de Vargas Llosa: el fanatismo en las figuras de tres de los personajes, quienes representan la religiosidad, el jacobismo, y el anarquismo. Estos tres aspectos del fanatismo estan simbolizados en algunas corrientes historicas, filosoficas, y politicas europeas, del cual se hacen algunos paralelos al respecto.
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Date Issued
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1990, 1990
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Identifier
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AAI9103080, 3162089, FSDT3162089, fsu:78287
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Format
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Document (PDF)
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Title
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Espacios de Alteridad: La Re-Imaginación del Individuo y la Nación a Través De Las Prácticas Espaciales en la Habana Después de 1990.
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Creator
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Cruz García, Liset, Fernández, Roberto G., Suárez, Virgil, Poey, Delia, Gomariz, José, Florida State University, College of Arts and Sciences, Department of Modern Languages and...
Show moreCruz García, Liset, Fernández, Roberto G., Suárez, Virgil, Poey, Delia, Gomariz, José, Florida State University, College of Arts and Sciences, Department of Modern Languages and Linguistics
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Abstract/Description
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This dissertation examines the use of urban space in Cuban cultural production after 1990; the year Fidel Castro announced the beginning of the crisis known as "Special Period in Times of Peace". It was a period that brought the most dramatic changes in Cuban society after the sixties, provoking a decentralization of power in many sectors. I argue in this thesis that there is also a decentralization in the use of urban space, which reflects the collective disenchantment in the revolutionary...
Show moreThis dissertation examines the use of urban space in Cuban cultural production after 1990; the year Fidel Castro announced the beginning of the crisis known as "Special Period in Times of Peace". It was a period that brought the most dramatic changes in Cuban society after the sixties, provoking a decentralization of power in many sectors. I argue in this thesis that there is also a decentralization in the use of urban space, which reflects the collective disenchantment in the revolutionary project. In the literary and cinematographic works studied, raging from 1991 to 2014, the characters live in Havana city and inscribe meanings through their spatial practices. These spaces also influence the state of mind and actions of the characters, reinforcing the interconnection between the spatial, the temporal and the social dimensions. Using a spatial theoretical framework, within the field of cultural studies, the research is supported by the conceptualization of social space developed by Henri Lefebvre, of heterotopia by Michel Foucault, and the analysis of the use of urban space developed by Michel de Certeau. Many of the fictional works of the period show characters that do not have a feeling of belonging to a nation, who interact with the city from marginal spaces, such as rooftops and the limits with the sea. My objective is to examine the use, function and effect that these spaces of alterity have on their users, and their significance for the analysis of the Cuban society. The dissertation has been divided as follows: introduction, three chapters—each dedicated to spaces of alterity that share certain characteristics—, and conclusion. The first chapter explores the overwhelming presence of rooftops in the fictional works of post-Soviet Cuba; these are spaces that rise over the city and allow a feeling of freedom, and the possibility to lighten the weight of daily life. The second chapter proposes to see two of these spaces as heterotopias of accumulation of time, emphasizing an alternative order that reveals the contradictions of the spaces outside. In these heterotopias, the characters reconstruct anOther history, anOther national identity. In chapter three I analyze the space where the city meets the sea, particularly the area of Havana's famous seafront, el Malecón. Despite being a public and heterogeneous space, this frontier is also used by the characters to distance themselves from the official center, and to find a space of escape, refuge and rebirth. At first, these spaces of alterity are used as a means to escape; however, they also instill a liberating feeling, thus becoming spaces where the characters can look into themselves and recover their lost hopes. The possibility for a re-imagination of the self and the nation only happens in these spaces, suggesting that the official center is in a standstill. Therefore, this research shows the need to include spatial analysis in the study of Cuban society, and reveals the decentralization of space in post-Soviet Havana, which is interconnected with the ideological disenchantment of the nineties. Additionally, some of the works propose a redefinition of the concept of national identity that is not necessarily tied to the revolutionary project.
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Date Issued
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2015
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Identifier
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FSU_2016SP_CruzGarcia_fsu_0071E_13020
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Format
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Thesis
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Title
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España y Cuba.
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Creator
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Spain.
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Date Issued
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1896
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Identifier
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FSUCaribBooks_00013, 15025227, fsu:64642
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Format
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E-book
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Title
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Francisco Oller Museum of Art and History, Bayamón, Puerto Rico: Museum (Museo Francisco Oller).
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Identifier
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FSU_Caribes_PR_001_002
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Format
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Image (JPEG)
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Title
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Fuchsia Casa, San Juan, Puerto Rico: Façade.
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Identifier
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FSU_Caribes_PR_004_015
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Format
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Image (JPEG)
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Title
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Las fuentes indigenas de "Cien anos de soledad" (Gabriel Garcia Marquez, Spanish text, Colombia).
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Creator
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Corwin, Jay A., Florida State University
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Abstract/Description
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This dissertation examines the origin of myth in Garcia Marquez's novel, Cien anos de soledad. While the major critics of the novel have noted a strong dependence thereof on Biblical intertextualities, the present study focuses on possible Indigenous sources of what has already been defined as cosmogonical. In addition, several motifs which have been defined previously as "mythified" are examined and compared to Indigenous Colombian rituals. The work of explorer Alexander von Humboldt is also...
Show moreThis dissertation examines the origin of myth in Garcia Marquez's novel, Cien anos de soledad. While the major critics of the novel have noted a strong dependence thereof on Biblical intertextualities, the present study focuses on possible Indigenous sources of what has already been defined as cosmogonical. In addition, several motifs which have been defined previously as "mythified" are examined and compared to Indigenous Colombian rituals. The work of explorer Alexander von Humboldt is also addressed herein as applicable to the wider comprehension of the novel. While this work is not necessarily an Indigenous source, the vast references to such cultures justify its inclusion in this study. Likewise, the Popol Vuh is examined as a potential source of myth within the novel. The main Colombian sources indicated in this study are as follows: Chibcha (Muisca); Tairona (Kogi); and Guajiro (Wayu). Although the Guajiros are the only indigenous group specifically mentioned in the novel, the role of the Tairona and Chibcha were so potent in the framework of the chronicles that their inclusion in this work is inevitable. The cosmogonies which particularly parallel the action of the novel are the Chibcha and Guajiro. Religious rituals of the Chibcha and Guajiro are also examined here are possible antecedents of certain of the actions, the origins of which have as yet been unidentified. Meanwhile, the philosophical origins of the novel's "death within death" motif are juxtaposed to documentation of certain Kogi beliefs, which bear striking similarities. On account of the large number of nearly exact parallels between the novel and various Indigenous elements, the mythical content of the novel is viewed as intertextualized Indigenous, rather than Biblical, myth.
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Date Issued
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1995, 1995
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Identifier
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AAI9525915, 3088596, FSDT3088596, fsu:77398
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Format
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Document (PDF)
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Title
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Green Casa (single story house) , San Juan, Puerto Rico: Façade.
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Identifier
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FSU_Caribes_PR_004_017
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Format
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Image (JPEG)
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Title
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Hampa afro-cubana: Los negros brujos (apuntes para un estudio de etnología criminal.).
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Creator
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Ortiz, Fernando
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Date Issued
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[1917?], 1917
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Identifier
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FSUCaribBooks_00009, 18010345 //r33, fsu:55416
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Format
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E-book
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Title
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Historia de las biografias de Miguel de Cervantes Saavedra.
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Creator
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Sliwa, Krzysztof
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Date Issued
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[1997]
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Identifier
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38108454, FSU_ARCH_PQ6337S551997
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Format
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Document (PDF)
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-
Title
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House Museum of the Cautiño Family, Guayama, Puerto Rico: Balcon (Balcony).
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Creator
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Cautiño Vázquez, Genaro, Texidor, Manuel
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Identifier
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FSU_Caribes_PR_002_003
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Format
-
Image (JPEG)
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-
Title
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House Museum of the Cautiño Family, Guayama, Puerto Rico: Façade.
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Creator
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Cautiño Vázquez, Genaro, Texidor, Manuel
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Identifier
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FSU_Caribes_PR_002_002
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Format
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Image (JPEG)
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-
Title
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House Museum of the Cautiño Family, Guayama, Puerto Rico: Window.
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Creator
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Cautiño Vázquez, Genaro, Texidor, Manuel
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Identifier
-
FSU_Caribes_PR_002_004
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Format
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Image (JPEG)
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-
Title
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House of Charity, San Juan, Puerto Rico: Portal.
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Creator
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Garcia, Pedro
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Identifier
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FSU_Caribes_PR_004_012
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Format
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Image (JPEG)
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Title
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House of Charity, San Juan, Puerto Rico: Side Courtyard.
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Creator
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Garcia, Pedro
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Identifier
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FSU_Caribes_PR_004_011
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Format
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Image (JPEG)
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-
Title
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House of Obra Pía, House Museum, Havana, Cuba: Main Entrance.
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Identifier
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FSU_Caribes_Cuba_002_001
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Format
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Image (JPEG)
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-
Title
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House of the Conde Jaruco, Gallery, Havana, Cuba: Façade (view from Plaza Vieja).
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Identifier
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FSU_Caribes_Cuba_003_001
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Format
-
Image (JPEG)
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-
Title
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House of Tostado, Santo Domingo, Dominican Republic: House Museum.
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Identifier
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FSU_Caribes_DR_003_001
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Format
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Image (JPEG)
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-
Title
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House, Creole,: Façade.
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Identifier
-
FSU_Caribes_PR_002_001
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Format
-
Image (JPEG)
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Title
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Los inmorales: (novela).
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Creator
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Loveira, Carlos
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Date Issued
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1919
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Identifier
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FSUCaribBooks_00010, 29004525, fsu:51663
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Format
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E-book
Pages