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Ezekiel. (Original composition);
Of Canyons and Inlets: Three poems of Gerrit Lansing. (Original composition);
MUSIC EDUCATION AND STATE SUPERVISORY SERVICES FOR TENNESSEE PUBLIC SCHOOLS
TEXTURAL PATTERNS IN THE SOLO PIANO MUSIC OF ERNST VON DOHNANYI
TEXTURAL PROCEDURES IN INSTRUMENTAL ENSEMBLE MUSIC AND CHAMBER MUSIC PRIOR TO THE CLASSIC PERIOD
TEXTURE AND MUSICAL STRUCTURE: AN ANALYSIS OF FIRST MOVEMENTS OF SELECT TWENTIETH-CENTURY PIANO SONATAS
THE CONSTRUCTION AND VALIDATION OF AN ACHIEVEMENT TEST IN THE BEGINNING BAND
THE DEVELOPMENT AND EVALUATION OF A SELF-INSTRUCTIONAL SEQUENCE IN JAZZ IMPROVISATION
THE UNTRAINED LISTENER'S BEAT RESPONSE TO AUDITORY MUSICAL STIMULI
THE SCOPE AND FUNCTION OF MUSIC IN THE COMMUNITY COLLEGES UNDER THE SUPERVISION OF THE STATE UNIVERSITY OF NEW YORK
THE INSTRUMENTAL ENSEMBLE FANTASIAS OF ADRIANO BANCHIERI (PARTS I AND II)
THE RESTORATION OF A NINETEENTH-CENTURY ENGLISH CHAMBER ORGAN (KEYBOARD)
THE RHYTHM OF MEDIEVAL MUSIC: A STUDY IN THE RELATIONSHIP OF STRESS AND QUANTITY AND A THEORY OF RECONSTRUCTION WITH A TRANSLATION OF JOHN OF GARLAND'S "DE MENSURABILI MUSICA."
THE MASSES OF ANTOINE DE FEVIN. (VOLUMES I AND II)
THE SYMPHONIC ORGAN WORKS OF CHARLES ARNOULD TOURNEMIRE (FRANCE)
THE ROLE OF THE LIBERAL ARTS IN THE TRAINING OF STRINGED INSTRUMENT ORCHESTRAL PLAYERS
THE SYMPHONIES OF SERGEI PROKOFIEV
THE SYMPHONIES OF ANTON BRUCKNER
THE SYMPHONIES OF KARL AMADEUS HARTMANN
TOWARDS THEORIES OF TWENTIETH-CENTURY COMPOSITIONAL PRACTICES: A TRANSLATION OF, AND COMMENTARY UPON, JUAN CARLOS PAZ'S "INTRODUCCION A LA MUSICA DE NUESTRO TIEMPO." (VOLUMES I AND II) (ARGENTINA)
PATTERNS OF CHANGE UNDER IDENTITY IN SHORTER PIANO WORKS BY BELA BARTOK
THE APPLICATION OF EARLY STRING LITERATURE TO HETEROGENEOUS STRING CLASSES AT THE COLLEGE LEVEL
THE AURAL PERCEPTION OF ALLEN FORTE'S RELATIONS BETWEEN PITCH-CLASS SETS OF EQUAL CARDINALITY: A COMPUTER-GENERATED EXPERIMENT
THE BAT FOR SOPRANO AND ORCHESTRA. (ORIGINAL COMPOSITION)
THE BICINIA VARIORUM INSTRUMENTORUM OF JOHANN CHRISTOPH PEZEL. (VOLUMES IAND II)
THE BARYTON DIVERTIMENTI OF HAYDN: A SELECTED ADAPTATION FOR BRASS TRIO
THE CONTRIBUTIONS OF ADOLPHE SAX TO THE WIND BAND
THE LIFE AND WORKS OF JAMES CUTLER DUNN PARKER
THE STEPHEN FOSTER MEMORIAL 1931-1969: A SOCIO-CULTURAL FORCE IN A RURAL COMMUNITY
THE WING 'STANDARDIZED TESTS OF MUSICAL INTELLIGENCE': AN INVESTIGATION OF PREDICTABILITY WITH SELECTED SEVENTH-GRADE BEGINNING - BAND STUDENTS
THE CHORAL MUSIC OF VINCENT PERSICHETTI: A DESCRIPTIVE ANALYSIS
THE CHATTANOOGA CIVIC CHORUS, 1930-1957
THE SOCIAL AND PEDAGOGICAL FUNCTION OF 'THE WORCESTER COLLECTION,' 'THE VILLAGE HARMONY' AND 'THE EASY INSTRUCTOR' IN THE EARLY - AMERICAN SINGING SCHOOL
THIRTY-SIX SELECTED CHORAL WORKS OF THE SIXTEENTH CENTURY ADAPTED AND ANNOTATED FOR PERFORMANCE BY NON-PROFESSIONAL CHORAL GROUPS
THOMAS MORLEY EDITIONS OF ITALIAN CANZONETS AND MADRIGALS, 1597 AND 1598: VOL. I: COMMENTARY. VOL. II: MUSIC
THREE ANTIPHONIES FOR TWO BRASS CHOIRS. (ORIGINAL COMPOSITION)
THOMAS HASTINGS: AMERICAN CHURCH MUSICIAN
THE TIENTOS, FUGAS, AND DIFERENCIAS IN ANTONIO DE CABEZON'S 'OBRAS DE MUSICA PARA TECLA, HARPA Y VIHUELA.'
THE THEMATIC, TEMPORAL, AND DYNAMIC PROCESSES IN THE SYMPHONIES OF JEAN SIBELIUS
THE RELATIONSHIP OF ORCHESTRATION TO FORMAL STRUCTURES IN THE NON-PROGRAMMATIC SYMPHONIES OF SHOSTAKOVICH
THE PERCUSSION ENSEMBLE: 1930-1945
THE OVERTURE IN SEVENTEENTH CENTURY ITALIAN OPERA
THE SYMPHONIC MUSIC OF ALBERT ROUSSEL (FRANCE)
THE PERCEPTION OF PITCH PREDOMINANCE IN SELECTED MUSICAL EXAMPLES OF AVANTE-GARDE COMPOSERS: 1945-1961
TRI-SENSORY REINFORCEMENT OF A RHYTHM LEARNING PROGRAM
THE PERFORMER'S GUIDE TO ANALYSIS: A METHOD FOR THE STUDY OF MUSIC
THE RELATION OF MATURATION AND OTHER FACTORS TO ACHIEVEMENT IN BEGINNING INSTRUMENTAL MUSIC PERFORMANCE AT THE FOURTH THROUGH EIGHTH GRADE LEVELS
THE RELATIONSHIP BETWEEN ACADEMIC PREPARATION AND PROFESSIONAL RESPONSIBILITIES OF INSTRUMENTAL AND CHORAL INSTRUCTORS IN SOUTH CAROLINA
THE RELATION OF MUSIC SUPERVISORY SERVICES TO CERTAIN PHASES OF MUSICAL ACCOMPLISHMENT IN SELECTED FLORIDA COUNTY SCHOOL SYSTEMS
THE EXTENT OF AGREEMENT IN ATTITUDES TOWARD MUSIC EDUCATION PRACTICES AMONG SOUTHERN ILLINOIS HIGH SCHOOL STUDENTS AS MEASURED BY KENDALL'S 'TAU'

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